toss

July 11th, 2008

a suggestion by Janet from S.Francisco:
“I have respectively and unobtrusively visited your magical city several times and have been horrified that so many people (residents and tourists alike) toss cigarette butts into the water and the streets. In many places in California I have noticed, recently, relatively “not too-ugly” receptacles for snuffing them out and disposing of them. They look to be made of ceramic or dark metal and shaped not unlike a fat bowling pin! I looked on the Web and there are many manufacturers.”

well, thank you for your suggestion… though the main problem of garbage collecting is not about tossed cigarettes… here, may i suggest a simple “quit smoking”? :-)

thank you Elton

July 10th, 2008

i must admit it was my first Elton John’s concert. and it was fabulous. i think that after listening to the live performance, i won’t be able to listen to any of his pieces recorded in studio. looking more and more confident every minute — we can only guess his emotion of singing in St.Mark’s Square — he conquered the audience with a memorable version of “Rocket man”. thank you!!

counterfeit stupidity

July 1st, 2008

let me re-open a thread posted by venice lover:
“Why cannot the police round up those counterfeit bag-sellers and send them packing? I was in Venice last week, anfd thought that the bags now do not appear to have the “designer” names on them, but something that looks like or sounds like the famous name. I think I saw “Grada” instead of “Prada”, for instance. But, at least with the bags, the customers do get something for their money, and most people, I think, know they are buying a fake, though that doesn’t make it less of a crime. No, I think that the worst con-trick is the worked by the people who sell the “dancing” Mickey Mouse and other Disney character figures (no doubt with no copyright payments to Disney). I know that the people buying them must be stupid to believe in magic, and I believe that they are sold for only about 5 euros, which isn’t really a lot, but they too should be rounded up and shipped out of Venice.”

well, as a matter of fact people are not buying not-counterfeit bags as much as the fake ones!! so never assume good faith. instead, i can understand the thrill in the dancing mickey mouse: people know it’s going to be a 99 percent trap, but people buy it all the same because they feel part of a little miracle, as venice is so special. so in my opinion they buy a special memory, the souvenir of themself feeling as innocent and happy as a child. and at home, they’ll laugh at themselves
or am i wrong?

it’s because we needed to see the sky…

March 31st, 2008

… or the underwear??


the Calatrava bridge

this week’s newsletter talks of:

  • Mutual exclusivity — more hotels and fewer tourists?
  • April Fool’s Day — the best date for joking about money
  • The 20-point handicap — each unforgivable
  • and, last but not least

  • The Calatrava Bridge’s private views

air

March 15th, 2008

hi, my dears. i know you miss me. and i miss you. the reason why i am not updating the blog so often is that what’s happening here is too complicated for my poor english to explain and for human comprehension (let’s say my comprehension). but i’ll try to — as we say in italian, i’ll do it “a grande richiesta” (on popular demand).
well, i’ll try to explain with an example first, and keep in mind this is only ONE episode of a long series.
suppose you own a bar in venice (this is not my case). suppose you want to have a dehors, put some tables outside where your clients can relax, in some gorgeous campiello or along a canal. can i do that? you ask yourself anxiously. most times the answer is: yes, you pay. you can do anything in venice, if you pay. so you ask the comune the permission to use the public ground to place your tables for your clients. and you pay.
weeks later, the permit arrives, you place your tables, your tableclothes, your chairs. your clients sit down and enjoy springtime in venice.
summertime arrives, and it’s so hot. damn… you need to place a big umbrella, or a curtain! you buy the umbrella, you place the curtain over your entrance door. over? no. “you pay”. but you have already paid! you THINK so. you paid for the ground. didn’t pay for the AIR. so you ask to use the… air, and wait long time for permission. it’s the empire of Bureaucracy.
you may think i’m kidding. i’m not. this system has been nicknamed la tassa sull’ombra dell’ombra (ombra meaning in venetian both shadow and glass of wine: that is, you pay twice for the “shadow”). not finished: how is this tax really called? it’s not the occupancy of public ground, it ’s the occupancy of public “air space”. you feel like an invader, technically you are an enemy who pays even the breathed air.
not finished. technically, you feel so stupid. but you hope to make such a big money squeezing your tourists, that you bear all this.
now, suppose you organize art events and need to advertise your event (something which is closer to me). suppose you wish to place an artwork in front of the venue: it’s not an advertisement, it’s an artwork. and it’s beautiful. you plan not to disturb people in their walks, so you plan to place in a grass spot in front of the venue, hanged to a dry tree, which has to be replaced shortly. the company which manages the tree care allows you to do so, but this is not enough for the municipality: they want your “bucks”. so “please declare the size of your piece of whatever it is, and pay your advertising tax and ground occupancy tax”. Ground? it’s going to be hung on a tree. “Well, so it’s occupazione di spazio aereo”. oh, like curtains… uhm, to be true… it’s not really advertising, it’s… art. “ART?” yes. “it’s forbidden”. are you kidding? “art installations in the open are forbidden in venice, apart from special occasions”. special what? “well… we do not know how much to charge you pay for something which is not advertising”. have i to replace it with a piece of advertising? “the tree may suffer”. suffer from what, we won’t do any harm to it, and anyway it’s a just a canvas without the frame, hung carefully on a dead tree. “it’s you saying it’s dead”. it’s not me saying it’s dead. “have someone write it down”. have someone what? “write it down”. why? “because we do not take any responsibility”. about what? “the tree”. it’s going to be replaced. “by whom?” by you. “why?” because it’s dead. “what if the tree dies?” it IS dead. it may recover, with a piece of art on it. “you say that”. what, that it’s dead or that it’ll recover? “both”. it’s dead, and it’s also ugly. “have it…………………

March 15th, 2008

Ever wondered about drinking customs in Venice? Embark on a video tour with comedian Zane Lamprey

this week’s newsletter

February 19th, 2008

 The works on the Calatrava bridge are speeding up. This is the first effect of the inspections. Let’s see what happens next. For the ones of you who contacted us for info about this story: we are preparing a comprehensive report which will be ready in a couple of days.  And the point is not discussing if Calatrava is a good architect or not; the point is that bridge is a nonsense, and it’s probably not his fault.

this week’s issue of Buongiorno Venezia talks of:

  • Seaside peaks… and financial valleys
  • Six restaurants trading in Blue Stamps
  • A rocky cinema connexion on the Lido 
  • No kidding, it’s a pizza
  • Italy’s top art exhibitions

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the incapables

February 11th, 2008

It’s not a movie. It’s real life.

The titbit of the week is about the first results of the inspection of the works related to the fourth bridge on the Grand Canal. A name for its baptism, that has been postponed sine die so many times, should be the incapables’ bridge. Frankly this appellative, that according to the tradition has to follow the name of the designer, is not as evocative as other bridges’, but that is cruel reality: an endless yard on which citizens have to spend a fortune. With a very Italian word that unfortunately lacks in grace, a true “casino” in which technical, civil, penal and, last but not least, moral responsibilities are involved.
The verification is a sort of triumph for the angry citizens, though they are aware of being the ones and only to pay the price for it with their taxes. This ugly and useless bridge – all began with a draft on a restaurant napkin that rapidly turned into a madness story - is a great shame that, evidently, involve also the people who have neither stopped it nor borne all the well-founded criticisms.

this week’s issue of Buongiorno Venezia talks of:

  • Calatrava: the hopeless bridge. Supervisory authority has recently published its observations on it.
  • Twenty-two Academy nominations for movies screened at the 2007 Venice Film Festival.
  • Dads’ attack

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To be born in venice: a petition

February 7th, 2008

for some unclear reason (restorations? lack of personnel?), the Venice Hospital will not guarantee the usual services to pregnant women, for instance it will not allow the dads to assist to the birth. Many families are protesting, and are inviting people to sign a petition; here is the link to the petition “Nascere a Venezia” (To be born in Venice). May you wish to contribute, click on the “Firma” button” (Sign). The required data to type in are: name and last name, email address (won’t be published), check the box resident “in venice” or “in the mainland”; and then you have to check the boxes to authorize the website to treat your data for statistical purposes. Your browser needs to be java-script enabled. 410 signed up till now

this week’s newsletter

February 6th, 2008

hi everybody…

this week’s issue of Buongiorno Venezia talks of:

  • MOSE strikes again: the mayor strikes back
  • Carnival is on the skids: unmasking the blameworthy
  • No room at the Biennale: the Vatican may need divine intervention
  • Bridge over troubled water: prosecutor summons Calatrava
    documents
  • A sexy traffic policewoman who seems a little wooden

If you wish to comment in public, please post your comments here below, or to the related posts here above

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